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Our Favorite Movies
1. CASABLANCA . Bogey and Romance. It gets us deep.
Ingrid Bergman was a vision, Humphrey Bogart was a ruined dream,
and Parisian love came back to life in a way we will never understand,
but all know better than most anything else in our lives, in this
simple little wartime movie. How many people find that special and
incredibly passionate love in life, only to lose him or her and
long to have them back again...someday? Occasionally, as if by some
wonderful magic, the opportunity comes to them. The timing for it
works in this movie, and touches a button buried in our minds. Even
cold, cynical, hard-spirited men get choked up over this movie.
But the thing that works the best here is the heart. The movie itself
is a reminder that sometimes the most beautiful, loving, and impossible
thing a human being can imagine can sometimes happen. And
Sam's song, of course, is a song for all seasons, for all time.
The story of Rick, Ilsa, Sam, and their companions only gets better
and better…
"As Time Goes By".
2. THE PRINCESS BRIDE . Archetypal heros and heroines against archetypal
villians, but the whole universe is twisted into some strange high
hilarity zone. (We liked the swordsman the best of all.)
3. TOMBSTONE . A western with a cause. Get 'em, Wyatt! (We liked
Doc Holliday the best, though…Val Kilmer at his less-is-more best.)
We thought Dana Delany was terrific, smashing even, in this movie,
too, showing a portrayal of a beautiful good-girl/bad-girl Western
lady seldom ever seen in a movie, and one which made you think about
room service in a whole new way! Very, very nice, Dana! Yummy even.
And nice Robert Michum voiceovers at the beginning and end. But
the forte was the duel of Michael Beihn's Johnny Ringo, glowing
eerily with raw, insantitized animal power, with Val Kilmer's I'm-gonna-die-anyway-so-let's-get-it-on
Doc Holliday, forcing the ante higher and higher, finally up to
where the Olympian lightning crackles against lightning and the
resulting flashes and dark fire against the almost supernatural
encounter make this one a come-back-and-watchitagain movie. "I'm
your Huckleberry." Indeed.
4. THE STAR WARS TRILOGY . A space odyssey with a cause. Get 'em,
Luke! (We liked Han Solo the best, though. Is there a pattern of
some kind going here?)
5. THE LAST UNICORN . A fantasy with a cause. Who is the Red Bull,
REALLY? We liked the unicorn best.
6. WILLOW . A fantasy with different beings, but we could relate.
And one of the most captivating (but weird!) love stories of all
time, believe it or not. Doc Holliday with a pigtail meets Xena.
Great fun.
7. TO KILL A MOCKINGBIRD . Atticus Finch is the man we all wanted
our fathers to be. And if we were lucky, we not only had him, but
a Boo Radley in our lives as well.
8. CONAN THE BARBARIAN . Way back before civilization went and spoiled
everything, you could have some real fun. No city hall weed ordinances,
no nothin', just good old fashioned anarchy, pillage, and gluttony.
But in the midst of it, a seed of morality beginning to bloom in
the innocence of the warrior's eyes. Loved the scene of the two
barbarians running across the plains with that fantastic sound track
in the background. Like a freedom we all forgot somewhere in the
last 10,000 years. The evil Thulsa Doom (or whatever that weird
snake-guy's name was) character is still with us. One of the best
villians ever by the quintessential James Earl Jones. Great timing,
James. And for your overall job, well done, Arnie, probably your
best. Beats pumping that iron, man.
9. BUTCH CASSIDY AND THE SUNDANCE KID . Another almost perfectly
balanced movie, with laughs and poignant smiles of nostalgia. Joker
Newman is at his best here. Redford and Ross ain't bad (as a couple)
either. Hollywood COULD make more movies like this, if it wouldn't
take itself so seriously but kept a sense of poise and humor at
the same time. Nice script by Axelrod, and great photography.
10. BIG JAKE . Big John Wayne in a wholly different kind of western
than #9. Some like "The Searchers" best, or "True Grit", or some
of the others, but not us. The nearest next best Wayne is "She Wore
A Yellow Ribbon," partly because of the monument valley backdrops.
John Ford would have a ball directing today. One of the things that
makes this little western great as an entertainment beyond the movie
is the sound track and the obvious awkwardness of Wayne's kids in
the movie. They are really trying to please Dad and Grandpa, and
by goodness they do a good job. But Wayne is so reflective, so poignant
in many of the scenes. It's Old West changing over to the New West.
And The Duke is pure vintage here. As a low sad Sons-Of-The-Pioneersy
tune plays in the background, he drawls to his nearsighted Native
American compadre, "Well, times change...usually for the best..."
Yeah, right. Knock 'em dead, Duke, we're right behind you, pilgrim.
11. DRIVING MISS DAISY . Oh, the things that lady knew about...and
learned about...life. Worth savoring. And Morgan Freeman is outstanding
.
12. LETHAL WEAPON (1,2,3,etc.) . One of the best, if not THE best,
buddy duos to ever knock their way into your worst crime nightmare.
You can believe that Mel really IS crazy the way we ALL get a little
crazy in the rat-race life we live in. Danny Glover is really each
of us, and Mel is that crazy new guy we have to put up with because
the boss says so. The first L.W. was probably the best, (the most
believably insane--Yiiiiii!!!!!!), but the others are great too.
And Mel's grin and those eyes get you in the end.
13. ALIEN . Sigourney Weaver is absolutely terrific as the woman
who rises up and dominates her fears and channels her anger and
her adrenaline to go steely-eyed killer-style bug-hunting in outer
space. Woman as Warrior against the baddest predator in the universe.
The hunted becomes the ultimate lethal-weapon huntress and rips
the thingy apart in spades. An SF classic about what it takes (on
the human level) to stand up to unstoppable evil...and to keep your
humanity. The first sequel, "ALIENS" was pretty good too, but the
original ALIEN did things to the dark places of your mind that no
movie ever did before. The other sequels sort of lost the vision.
But that first one, and Sigourney's courage…WOW!!!
14. FORREST GUMP . "Run, Forrest, Run!" He runs right up the lane
and into your heart forever. Thanks, Tom.
15. THE RIGHT STUFF . Chuck Yeagar steals the show as a real-man,
fly-by-the-seat-of-your-old-West-Virginny-overalls right-stuff barrell-rollin'
through the sky pilot, pitted against an age of cold, computerized,
monkey-inspired, techno-sterile, plastic-tube-into-your-body monitoring
astronautics. But Gordo Cooper recaptures some of the good (and
right) testosterone stuff as he toasts Chuck with a little derring-do
barrel-roll space flying of his own. For one golden, spontaneous,
shining moment against the sun, as he flashes long across the blue
sky and finally into space, he really is "The Best Pilot Anyone
Had Ever Seen." Super, Gordo. And double-super, Chuck the First
to blast through the barrier. Outstandingly great music, too.
16. TITANIC. This is going to be one of the all-time
classics, about how to keep love warm and alive even when the water
is numbingly cold and you happen to be the hero who happens to be
quite dead. Our hearts do go on with certain kinds of love, and
even death cannot stop that love.
17. AMERICAN TAIL. Feival wins the day. But oh!
That music! "Somewhere Out There" reminds us that someone IS watching
the same moon we are watching, defeating the idea that we are alone.
Never say never, Feival!
18. SOMEWHERE IN TIME. A miraculous little film,
which succeeds more as tone and poetry than as cinematic grandeur.
This story shows us scenes containing the most beautiful that Jane
Seymour has ever been on film, and she's one beautiful lady in any
movie. Here it hurts to look at her, she is so appealing. And Chris
Reeve don't look too bad either, the ladies tell me, even with that
dumb tiny bowler perched on his head. But again, the music gets
you in your heart and it won't let you go. And all you wish for
is a happier ending, somewhere in time, where the keeper of time
can make a place for these two clock-crossed lovers.
19. IT'S A WONDERFUL LIFE. Okay, I know, this is
REALLY everybody's all-time favorite. Jimmy Stewart in a Capra-ish
Everyman role primed and honed to pluck the strings of your heart.
And it gets better every time you see it. Especially the dance sequence
when the gym floor opens up over the swimming pool. We need you
again, Jimmy. May your spirit return.
20. LONE STAR. Tough, gritty little comtempo Western
that is so real you can smell the salsa and taste the fear Kris
Kristofferson engenders. Makes you think that certain instances
of cold-blooded murder might actually be justified, and that's pretty
dangerous territory for your supposedly civilized head to be in.
And they leave you hanging on a sweet ending: "Are they or
aren't they?" (and anyway, does it really even matter in
the eternal scheme of things?)
21. HIGHLANDER. Secular semi-immortality. Scottish
brogues. A Laughing Villian who eats heavy metal for lunch. All
this and a well-seasoned Sean Connery doling out ice-cold witticisms
in his polished, virile, self-deprecating and ironic way to make
you believe in laughing victory. This movie is not perfect, but
it resonates the right sparks all across the sky. There can be only
one, and this is it.
22. BLADE RUNNER. Harrison Ford in his darkest role.
A far cry from Han Solo, but a lot more vulnerable, and believable,
in many ways. Enjoyed Edward James Olmos as the weirdest tweedle-dee-dum
cop ever. But the chases through the glassteel, dark, surreal canyons
of next-century Los Angeles-cum-Tokyo really shake loose the imagina-neurons
and give a mood to everything. No wonder this is a cult movie. Watch
out though: you may wind up rooting for the androids.
23. CLUELESS. Funny, funny, funny. VERY funny. Alicia
Silverstone has the right balance in this excursion into '90's high
school ultra-yuppie preppy nescience. This is actually "Alicia in
Wonderland", and the mad hatters and jabberwockies are everywhere
in disguise, making a mockery of sex, drugs, rock-and-roll and everything
in between the lines. But you'll come back to this little gem over
and over for more laughs.
24. NATIONAL LAMPOON'S CHRISTMAS VACATION. With
apologies to "It's A Wonderful Life," "White Christmas," "Miracle
on 34th Street," and a few others, NLCV is just about
our favorite Christmas movie, and this is a tour-de-farce deluxe
for Chevy Chase. His best and funniest presentation on film. A little
on the scato side in places, it still makes you wish there was a
sequel worth it in the series. Even Little Old Ladies laugh at this
crazy thing. Don't try some of the things you see in this movie
at home, kids. But it's still fun watching Chevy try them.
25. GROUNDHOG DAY. This may be Bill Murray's greatest
contribution not only to the movies, but also his greatest contribution
to the study of the twentieth century American male ego. Andie McDowell
is at her most charming and appealing here; Murray's foil and eventually,
his quest of the heart. She is an outstanding actress who people
are going to remember a long, long time. Having spent some early
years in the culture near rural Pennsylvania where the movie is
set, for me the movie resonated with nostalgia. But the humor is
universal. Who among us has not fantasized that every day our lives
it is the same, boring and uncreative? Bill discovers what it is
that moves life from the repetitive to the progressive. In what
may be the funniest line, weatherman Bill looks to producer Andie
and says about himself, deadpan as always, "Take care of the talent…"
Yeah, right, Bill. Anyway, you let your acting talent take care
of this movie, and your talent helped make it superlative. Beats
anything you ever did on SNL.
26. CHARIOTS OF FIRE is surely one of the very best
movies about courage ever made. A man with a will of iron stands
up against the world...and his own God-given giftedness...to preserve
a sense of honor before God. And then he gets to run the race of
all time. His competitor says, "It says in the old Book...'He
who honors me, I will honor'..." Yes. And honor honored does
not go unrewarded by the One who upholds honor.
27. HOW GREEN WAS MY VALLEY touches you in your
heart of hearts if you really watch it. A John Ford effort that
spans masculinity and femininity in young and old and explores the
bonds of family love like few movies have ever done. Filmed in black
and white, you can see the green of the valley in your mind as if
it were your own soul, your own valley, your own love.
28. WHEN HARRY MET SALLY is a chicks' movie, more
or less, but there is a lot of wisdom here for everybody, delivered
with a style that sticks. Meg Ryan created a whole new American
idiom with this movie: the idea of "a diner."
29. THE MATRIX is what we are all afraid of in some
part of our mind. Keanu Reeves does a good job in this but Carrie
Ann Moss steals the show, in my opinion, with acting way, way up
on the top scale. Electric lady comin' atcha!
30. CITY SLICKERS I (No, not II in a million years...yuckerino!)
was a very funny little movie that had a very healing idea underneath
it: "Get your smile back...life is a do-over." Thanks,
Billy!
31. GONE WITH THE WIND is the greatest chicks' movie
of all time because (a) Rhett Butler utters that famous line at
the end that appeals to the latent masochism and self-doubt in so
many women ("Frankly, my dear...I don't give a darn..."
[or something like that]), (b) because Scarlett is the one who we
come to understand REALLY is the one who doesn't give a d...( is
she trhe first CLUELESS lady on screen or what?) , and because (c)
in the end Scarlett shows she's the strongest anyway because she
sigths and says "Tomorrow is another day," despite the
fact that her world has just become toast. Cheers, Scarlett. And
cheers, all you adoring ladies. Scarlett was right. One other thing
about this movie: Scarlett and Rhett keep their clothes on, and
somehow we still get the idea that this is a worthy love story.
A little different from the present trend in "romance"
on screen, huh?
32. SHANE is the definitive Western in many respects.
The former hero gunfighter feels like a loser, a drifter, a man
ashamed of his bloody past, and here in this story of honor, for
a brief moment in time he redeems himself by doing a heroic deed
for the common people and becoming a glowing, golden legend in the
eyes of a boy, and then rides off into the sunset with that great
soundtrack music playing behind him. And oh, yes, his honor is tested
mightily by the temptation to forbidden love with a beautiful woman,
which he calmly and resolutely withstands, an ethical choice that
might have taken a different turn had an actor like, say, Clint
Eastwood been in the role of the protagonist. Filmed with the snowy
Grand Tetons as a backdrop to many of the scenes, you love the look
in Alan Ladd's eyes as he surveys his choices. Jack Palance plays
a cunning villian who you love to see get his due when the day of
reckoning comes for him. Shane is a keeper.
33. ON THE BEACH was made back in the 50s when people
were afraid of global nuclear war and the paranoia level was pretty
high. In the movie the ominous danger is that the people in Australia
fear that a great cloud of radiation from WW3 is going to come cover
their continent and irradiate everyone to death. We know now that
that is not the way the physics of a nuclear war work exactly, but
rather that nuclear winter from the dust and smoke of the explosions
and fires would be just as deadly in the long run after all plant
and animal life died in the years-long night. But the real heart
of this story is the love between the characters played by the ever-sensual
Ava Gardner and the ever-cool Gregory Peck characters. Fire and
ice up against swiftly coming death and hopelessness evoke Dylan
Thomas' line about raging against the fall of night. And the dying
of the light. Well, in the movie WW3 was set for 1964 and it didn't
happen. But this is still a poignant story and a period piece about
what it was like to be living in a world under the threat od global
nuclear way. Hope we never have to do that scene again.
34. THE SEVEN SAMAURAI is long on honor but short
on the hokum action of so many short-attention-span American action
movies of the early 2000s. So a lot of folks miss this one. However,
for the serious student of film, this is a beautiful galaxy of starry
little acting miracles. Our American clone, "The Magnificent
Seven", a Western wonderfully actor-led by Yul Brenner, filmed
a few years later, was a pretty good imitation. But the Japanese
version is the spiritual giant. All the good buddy movies like "Lethal
Weapon" and "Butch Cassidy and the Sundance Kid"
before it can trace their bonding/chemistry strength back to TSS.
Banzai!
35. SHADOWLANDS is a movie to make an intelligent
person cry. Anthohy Hopkins and DEbra Winger are just wonderful
as a pair of "lapsed atheists" who fall in love in the
early 50's in England and whose search for beauty draws them both
close to the Eternal and what it is to search for meaning in a place
of beauty mixed with deep pain and grief. Don't miss the scene at
the end where C.S. Lewis is trying to comfort the boy and finally
all his intellectual walls come crumbling dowen as he dissolves
into humanness and tears, tears which open the way into newness.
This is the kind of movie one wishes the movie makers would risk
their reputations to make. It is so good you want another piece
of Lewis's life and love.
Don't spill your popcorn or your
cokes, please!
Things you would never know without the movies...
...All telephone numbers in America begin with the digits 555.
...If being chased through town, you can usually take cover in a
passing St. Patrick's Day parade - at any time of the year. ...All
beds have special L-shaped cover sheets which reach up to the armpit
level on a woman but only to waist level on the man lying beside
her. ...All grocery shopping bags contain at least one stick of
French Bread. ...It's easy for anyone to land a plane providing
there is someone in the control tower to talk you down. ...Once
applied, lipstick will never rub off - even while scuba diving.
...The ventilation system of any building is the perfect hiding
place. No one will ever think of looking for you in there and you
can travel to any other part of the building you want without difficulty.
...If you need to reload your gun, you will always have more ammunition
-even if you haven't been carrying any before now...You're very
likely to survive any battle in any war unless you make the mistake
of showing someone a picture of your sweetheart back home...Should
you wish to pass yourself off as a German officer, it will not be
necessary to speak the language. A German accent will do...If your
town is threatened by an imminent natural disaster or killer beast,
the mayor's first concern will be the tourist trade or his forthcoming
art exhibition...The Eiffel Tower can be seen from any window in
Paris...A man will show no pain while taking the most ferocious
beating but will wince when a woman tries to clean his wounds...When
paying for a taxi, don't look at your wallet as you take out a bill
- just grab one at random and hand it over. It will always be the
exact fare...Kitchens don't have light switches. When entering a
kitchen at night, you should open the fridge door and use that light
instead...If staying in a haunted house, women should investigate
any strange noises in their most revealing panties and bra...Mothers
routinely cook eggs, bacon and waffles for their family every morning
even though their husband and children never have time to eat it...Cars
that crash will almost always burst into flames...The Chief of Police
will always suspend his star detective - or give him 48 hours to
finish the job...A single match will be sufficient to light up a
room the size of RFK Stadium...Medieval peasants had perfect teeth...Any
person waking from a nightmare will sit bolt upright and pant...It
is not necessary to say hello or goodbye when beginning or ending
phone conversations...Even when driving down a perfectly straight
road it is necessary to turn the steering wheel vigorously from
left to right every few moments...All bombs are fitted with electronic
timing devices with large red readouts so you know exactly when
they're going to go off...It is always possible to park directly
outside the building you are visiting...A detective can only solve
a case once he has been suspended from duty...It does not matter
if you are heavily outnumbered in a fight involving martial arts
- your enemies will wait patiently to attack you one by one by dancing
around in a threatening manner until you have knocked out their
predecessors...When a person is knocked unconscious by a blow to
the head, they will never suffer a concussion or brain damage....No
one involved in a car chase, hijacking, explosion, volcanic eruption
or alien invasion will ever go into shock...Police departments give
their officers personality tests to make sure they are deliberately
assigned a partner who is their total opposite...When they are alone,
all foreigners prefer to speak English to each other...You can always
find a chainsaw when you need one...Any lock can be picked by a
credit card or a paper clip in seconds - unless it's the door to
a burning building with a child trapped inside...Television news
bulletins usually contain a story that affects you personally at
that precise moment.
(Thanks to G.C.F.L. for this little bit of wisdom.)
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